Tag Archives: New Mexico

Big, Black, Bright Stillness

City life has many things to offer and engaging with the cosmos isn’t one of them. Lately, I’ve been feeling about the night sky the way I felt about the sun when I lived in Seattle for three years—I miss it. I saw part of that lunar eclipse three weeks ago, which was amazing, yet on a night-to-night basis, I can count on one hand the number of stars I see from my backyard or from my front step. Neighborhood street lamps and that massive light bulb across the Hudson River known as Manhattan block out a substantial chunk of natural sky. New York City is America’s biggest city, something I feel acutely whenever I ride the subway, wait in line for a bagel, or try to enjoy anything remotely celestial. Look up from my backyard and you’ll see United Airlines crisscrossing with some transatlantic flight crisscrossing with some rich guy’s Cessna (we’re also near Teterboro Airport) crisscrossing with the occasional police helicopter. Sometimes, on a clear night, you’ll see a star or two, which, one of them you later learn turns out to be Venus. In the winter, I can usually spot Orion, but that seems to be the only visible constellation from my little corner. This weekend while driving around the Catskills, I stood under a black, cold sky punctuated by millions—no gazillions—of stars. I saw the Big Dipper for the first time in ages.

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I’ve met people here who find the silence and vastness of rural landscapes and open sky overwhelming. They need the buzz of urban life to feel tethered. I increasingly prefer the country. If walking around the forest changes the brain (and I did that in the Catskills, too, and genuinely felt calmer afterward), my guess is stargazing at night also positively affects our synaptic energy. But under proper conditions, like what I enjoyed Saturday night. No planes. No helicopters. No anything trying to go anywhere. Just big, black, bright stillness.

Escaping the city for the something more pure is about as old as New York City itself. The word “vacation” is said to have been created here during the previous turn of the century because the rich regularly vacated the city for more pastoral backdrops, Theodore Roosevelt among them. I find myself craving starscapes, feeling pulled toward big open spaces so I can drink in that sense of awe that is the night sky. I’ve never been a very successful student of the sciences; I earned a C in my freshman astronomy class. When looking up, I have no idea what I’m looking at and I’m okay with that. I trust everything Neil DeGrasse Tyson says. I like the mystery of what’s above. Night skies are humbling, with a depth and complexity that surpasses mountains and oceans, perhaps because unlike mountains and oceans, the sky is untouchable. Simultaneously aloof and daring with a rhythm that we are a part of but where we have no say. The last time I witnessed a sky so pregnant with stars was when we were in Taos, New Mexico, a town that preserves much of the outdoorsy mysticism once in abundance in this country, and perhaps explains the alien lovefest that still thrives there. New Mexico is a place where people look up. New York City is a place where people look down, eyes glued on smartphones, away from each other.

Inside the Catskills farmhouse where we were staying, I thumbed through a copy of Henry David Thoreau’s “Walden”. On the subject of stars, would it please Thoreau to know that on Amazon—an arbiter of the unnatural world—“Walden” averages 4.2 out of 5 stars, with more than 530 reviews? Even online, more stars is better. And would he be intrigued by the conversation happening in the reviews of “Walden” where people discuss the generation gap among those who appreciate Thoreau’s observations and ideals? I appear to be in the middle of this gap. Thoreau’s phrasing is thick—paragraphs go on for a page—and while I enjoy a long read and resent the current listicle-ADHD online reading culture, the pages were a commitment.

But I want to keep going and read more. Thoreau struggled with respiratory illness much of his adult life and wrote about the restorative powers of being outside. “I cannot preserve my health and spirits,” he said, “unless I spend four hours a day at least—and it is commonly more than that—sauntering through the woods and over the hills and fields, absolutely free from all worldly engagements.”

Truth. Though who does four hours of anything anymore that doesn’t involve WiFi? I’ll be the first to admit I’m not very good at being outdoorsy. Camping is a lot of work. I don’t own gear. I hate bugs (I’m allergic to hornet and wasp stings). I can’t read a map. I don’t really care for trail mix.

But I do love being outside and grabbing what little pieces of it I can. Thoreau might find today’s ideals of communing with nature somewhat ridiculous. So much as been pushed out that great effort is made to create sanctuaries for what’s left, such as the one square inch of silence in Washington State’s Olympic National Park. Noise pollution is just as much of a problem as sky pollution (though the suburbs are quieter here, just not very dark). Who besides Zen monks and hunters spends hours of uninterrupted time surrounded by trees and silence? My last four-hour stint with Mother Earth was hanging out in a nest at a Big Sur glamping resort where I could walk uphill for sushi. Saturday night, I lasted less than 10 minutes just standing alone on the frosty grass watching the stars, no street lamps interrupting my view. Temperatures had dropped to the thirties, and while I wore a hat and warm coat, my body was still holding on to September.

Yet that ten minutes mattered. I felt my nerves disentangle a bit, my pulse settle, my thoughts slow down. Watching the whorls of stars, a wave of calm moved through me, something I hadn’t experienced since being out on the California coast last summer. The night sky made me feel small. And for that I was thankful.

Doors

Taos, New Mexico, made me rethink how I look at doors, which hadn’t really been on my mind much at all until I walked around Taos and realized almost everyone had a brightly-painted, beautifully-adorned door. No doubt this added to the welcoming vibe throughout Taos. I wondered if our own doors back on the East Coast were too plain, too cold, too formal? All we seem to do to our doors here is toss a Christmas wreath or hang a wooden pineapple sign. What does it say to guests approaching a door lined with a chicken statue and a Buddha figurine? Even the door at Taos Mesa Brewing Company wasn’t just a door, but an artistic commentary. Maybe an orange door would look out of place here in the dark, obsessed-with-black Big Apple region, but I came home looking at our own doorway differently. Maybe some funky metallic flowers? Maybe my own Buddha figurine? Or a chicken? (Copying is the highest form of flattery.) Doors are gateways, welcome mats, first impressions, smiles to visitors, UPS and pizza delivery guys, and, yes, even Jehovah Witnesses knocking on your door ready to share “The Truth.” Doors are mirrors, revealing more about ourselves than we probably are aware.

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Land of Enchantment

“You’re going to love this,” our host, Richard, told us as we wheeled our luggage into the casita. “Taos is really a magical place.”

That word——magical——was uttered several times by strangers during our week in Taos, New Mexico. The artist I interviewed said it. The gallery attendant said it. The lady next to me on the ski shuttle said it. The state adopted the motto “Land of Enchantment” before World War II, and continues to live up to this creed daily, and remains fiercely protective of its natural resources and cultural traditions. The Sangre de Cristo Mountains (Blood of Christ) comprise the southern end of the Rocky Mountain Range, and circle the tiny town of Taos, home to the historic and beautiful Taos Pueblo, about 5,700 people——many of them artists, skiers or both——80 art galleries, several mules and horses, and lots of chickens. Taos requires wheels, which is one of the best ways to experience the town as well as all of New Mexico’s enchanting mountains and valleys, for the landscape is the kind found in art galleries. That’s why there are so many hot air balloons dotting the sky; you want to breathe in New Mexico and experience it slowly.

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I first encountered New Mexico’s infinite and astounding vistas sixteen years ago this week, when I spent nine days driving from Rochester, New York, to Seattle, Washington, and made stops to visit friends and sights along the way. (This would become the first of three cross-country road trips, so far, for me.) I remember cruising in my 1994 Geo Metro with my cat Nigel, years before iPhones and iPods, relying on local radio stations to keep me entertained as we inched along Interstate 40, which stretches from North Carolina to Southern California. I had chosen a southern route for my drive, since it was the thick of winter, and I had wanted to see the Grand Canyon. But New Mexico made me want to stop the car and take a look around.

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Up until crossing over the state border, I didn’t really know anything about New Mexico other than it was there between Texas and Arizona, and that it was one of the “Four Corner” states where you could straddle four state borders at once. During that 1998 trek, I drove through New Mexico on to the Grand Canyon making a promise to return to the red mountains. Fifteen years after that drive, I read a Travel & Leisure article about spending Christmas in Taos, and plans started to take shape. We arrived in Taos on December 22, and spent the week at Casa Gallina, a place that rivals five-star hotels and is managed by Richard Spera.

Taos, New Mexico, has been an artists’ colony for over a century, but in 2013, the town and its artists continue to reel from the 2008 economic downturn; when money gets tight, art is often the first luxury to go. While some artists have begun to reemerge and reopen galleries along Kit Carson Road, they still struggle, and many galleries remain closed. Yet the landscape always inspires painting and sketching no matter what is happening to bank accounts. Artists cull stones from the earth to piece rock into jewelry or whip earth into clay to mold pottery. Old soda cans are twisted into flowers. Glass and color are heated into portraits and ornaments. Locally-made artwork adorns Taos municipal buildings, the hospital, hotels, coffee shops, restaurants and gas stations. A gallery attendant told me many artists in the area live on $10,000-$20,000 a year, yet this undercurrent of rural poverty is haloed by glorious paintings, sculptures, pottery and jewelry. Artists in Taos create to just create, and if income comes from that, well, all the better.

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Creativity was everywhere in Taos Christmas week, including in the two evergreen trees that stood like sentinels in front of St. Jerome Chapel, the 19th century church at Taos Pueblo. Taos is a poor, yet resourceful town, and the two evergreens were decorated with compact discs sprinkled with glitter and hung with string. They caught and reflected New Mexico’s abundant sunshine beautifully. Inside St. Jerome Chapel, the flowers were plastic and the small aisle was decorated with the kind of tinseled garland you can find at any convenience store. After all the opulent cathedrals I have visited across Europe, this small, humble church in the mountains resonated the most with me. Christmas is when Taos mixes Christian with Native American traditions, and the best time and place to experience this is on Christmas Eve at Taos Pueblo when the priest and congregation of St. Jerome hold a procession around the Pueblo while residents guard bonfires that were easily three stories high. Luminarias line Pueblo rooftops and walkways throughout the reservation and a few miles away throughout downtown. I feel that nothing I write can do justice to what I saw in Taos on Christmas Eve. I choked up and just watched the silhouettes of men, women and children move around the light being thrown from the many luminarias and bonfires, the edges of those high yellow flames reaching for the countless stars above us, as if sending a reminder to the heavens that we were still here, below, celebrating how lucky we all are to enjoy this planet and all its enchanting beauty.

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How Eating Waffles Inspired a Trip to See Pigs

This always happens with freelancing: work that actually pays slows down a bit so I turn my attention to non-paying creative writing pursuits, like this blog and a manuscript for a novel. Then work that actually pays shows up in my inbox (and for that I am very grateful if any of my editors are reading right now), creative pursuits get sidelined, deadlines are met, invoices are paid, hopefully editors are happy, and suddenly it’s been weeks since I touched my blog or manuscript.

Time to dust off the blog today, despite deadlines, to share with you our favorite Sunday morning pastime—sitting around the table planning vacations.

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I’ve mentioned my wanderlust here before, and a crumbling kitchen, not to mention two dead trees in our backyard that require professional removal, do not seem to quell my addiction in the least (a note about living in the suburbs: tree removal can cost thousands of dollars or the equivalent of an all-inclusive to the Caribbean). When the weather starts to suck, which for us is usually mid-November when all the glorious red and gold of fall has blown away, Sunday mornings are spent slowly. We slowly eat homemade gluten-free waffles while slowly perusing our various computer devices for vacation ideas. We sit at the table for hours doing this, so much so that we have spring break 2015 planned.

So what’s on the horizon after all this waffle-making and vacation-planning? Next month, we leave for Taos, New Mexico, to enjoy a Southwest Christmas, and then we’re crashing our friends’ wedding anniversary and New Year’s plans by staying at their place in Phoenix, Arizona. Returning to the Northeast after nearly two weeks out West will feel like it always does: a slap in the face. Some Jersey traffic will set us straight quickly.

Ok, but really happened over waffles was this: after we get back from the Southwest, in April, we’ll either visit Iceland for this awesome writers retreat or I’ll be squealing in multiple tongues because I will have been accepted into Sirenland, which takes place in Positano, Italy. Both conferences are fantastic, and I would be thrilled to attend either. Iceland would be a completely new experience for me. I traveled to Italy in 1996, but that was a four-day drive-through visit to Rome and Florence. The Amalfi Coast? That’s Rome’s pampered, beautifully blonde cousin, someone I need to get to know.

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While outlining Spring Break 2014, our family decided on Spring Break 2015, and it involves pigs. We haven’t been to the Caribbean in years, despite discounts constantly plastered on the Internet and at bus stops, especially during long New York City winters, so in 2015, we’re going to spend a week swimming with the pigs in the Bahamas, which is far better than swimming with the fishes here. Wild porcines have taken over a cay called Exumas, and I have just got to see what this is about. In addition to hating planes, I hate boats, but there are some promising-looking tours that take you out for snorkeling and pig paddling, so I am open-minded about this. Mike thinks the water there will taste like bacon. Not salty water. Bacon. This isn’t surprising given that we planned this trip while eating waffles.