Category Archives: United States road trip

Little Blue

It was 10:30 in the morning Mountain Time when I landed in Missoula, Montana, and was standing half-awake in a rental car agency parking lot. A train snaked past, and its loud whistle perked me up some. It had been a whirlwind morning: I had left my house in suburban New Jersey at 2:45 a.m. and stood in lines at Newark Liberty International Airport at an hour when there shouldn’t be any lines anywhere, but there were lines because it’s New Jersey—there’s always traffic. Two drowsy flights later—one over Montana’s many mountains in this small Embraer jet that I’m convinced was powered by prayer and hungry gerbils—and by the time New Jersey was sitting down to lunch, I was in Big Sky country. And to be fair, that Embraer jet ride ended up being one of the smoothest flights I’ve ever enjoyed. Trust the gerbils.

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Despite on-time, smooth flights across three-quarters of the United States, I was under-caffeinated, over-tired, and famished when I explained to the car rental agency representative that I had booked an economy car online. I wasn’t in the mood for paperwork or chit-chat, but between paperwork and chit-chat, he walked me further out into the parking lot towards the train tracks and said, “Well, we don’t have much in the lot at the moment, but we’ve got Little Blue here.”

I looked up. Little Blue was an eight-cylinder, relatively new Dodge Ram 2500, with the words “Heavy Duty” next to the 2500. Not sure what 2500 meant, but I certainly knew what “Heavy Duty” meant. In fact, the Dodge Ram tagline on its website is “Tow With Confidence.” I had nothing to tow but a large purple floral Vera Bradley bag that contained three outfits, red Tony Lama cowgirl boots, and a donut floatie.

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My “economy” car, I soon discovered, required either a small private helicopter to hoist me up into the front seat or the strong arms of Sasquatch himself. The helicopter was too expensive and Sasquatch was likely on a commercial shoot somewhere, so thank God for those body sculpting classes I’ve been taking to mitigate middle-aged metabolism because my biceps were put to the test. Every time I got behind the wheel involved me grabbing a handle built into the door and pulling all of my body weight into the front seat in one quick, hopefully graceful move. My left bicep is now visibly bulkier than my right—at least for now.

I turned the key, and I won’t lie: when I heard that V8 growl for the first time and the truck quake with enthusiasm, I got excited. I felt at home. Everything about where I was and what I was doing felt spot-on. I grabbed my lip gloss and dabbed a touch of red shimmer on to my lips even though I was unshowered and looked like some English lit professor coming off a bender. I was driving a giant truck and wanted to look pretty. Don’t ask why.

GoogleMaps told me where to go, and within 15 minutes, I was at the DoubleTree Hilton on the beautiful and narrow Clark Fork River, and because it was brunch time by anyone’s standards, my room wasn’t ready yet. I greeted this news with unbridled excitement, and said to the woman behind the counter (who was showered and wearing her lipstick much better than I) “That’s ok. I’ll go sleep in my truck!”

I saw opportunity.

She appeared unfazed and quite accustomed to people announcing they’d be grabbing a snooze in their trucks. “No problem,” she said with that smile that people behind counters always have. “We’ll text you when your room is ready.”

The Dodge Ram 2500 comfortably seats six, so I crawled into the backseat, and made a nest of my Yankee white privilege items: my Vera Bradley bag, my Turkish bath towel, my Italian suede shawl. I grabbed my Qantas airline eye mask out of my bag because the sunshine was bright, and I got comfy, wishing that travel could always be like this—long hours of go-go-go capped with feeling cozy and safe inside a truck the size of my first studio apartment.

I was mildly irked when the hotel texted only an hour later to say my room was ready (damn efficient cleaning staff!). I gathered my belongings, trudged to room 332 thinking nothing could be as comfortable as the backseat of Little Blue, and then promptly dropped my attitude when I saw the balcony overlooking the river and a fly fisherman working the line. The sounds of the rushing river gave me a Norman Maclean moment, and I realized it was best to leave New Jersey behind for the long weekend ahead and chill the hell out. Just let Montana do what Montana knows how to do, and that’s to wow you with its purple mountains majesty. What was right outside my hotel door was exactly what Francis Scott Key had been talking about.

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Over the next four days, Little Blue and I went everywhere together: Jack’s Saloon in nearby Lolo where I compared truck sizes with the dudes who parked next to me; the downtown Missoula Shakespeare & Co. bookstore where Maxim Loskutoff’s new book was temporarily out of stock; Clyde’s Coffee not too far from the bookstore, which serves a fantastic gluten-free breakfast; Polson at the base of Flathead Lake where our paddleboarding reservation was cancelled due to chop on the water; Bigfork, near the top of Flathead Lake, where a breeze blew my donut into the water, resulting in me taking off my sweater and my jewelry and easing myself into a freezing lake to swim in my workout clothes after a flotation device that has accompanied me to four continents, five countries (Cuba, twice!), and six states. Little Blue was parked outside while I ate a bowl of butter pooled around my risotto. He was parked nearby while I accidentally walked into a food truck rally and live concert that ended up being a ton of fun. He was there when my friend and I sat on a ridge at the Garden of One Thousand Buddhas in lovely Arlee. I loved seeing mud streaked on its sides. I loved how after the rain it became a brighter blue (and Montana needs rain). I loved how people got out of my way on the freeway.

Like some loyal steed, Little Blue stood in pouring rain or glistening sunshine waiting to see where we’d go next. In four days, I put approximately 400 miles on that truck. I imagine the only other better ways to see and experience Montana is to ride an actual loyal steed or paddleboard across Flathead Lake—when it’s not choppy.

Before that first visit to Montana, I always viewed myself as a Prius-kind-of-girl, driving something thoughtful, leaving behind minimal carbon footprint, patting myself on the back for being a good citizen—all the classic urban blue state virtues.

Yet there was something immensely visceral and satisfying about driving Little Blue through the mountains, curving along the road that hugs Flathead Lake, my hands on the wheel, the road unspooling before us. Mountains. Cherry tree orchards. Rivers. A giant lake. I realized then that perhaps no matter where I go in this world, no matter how liberal I may claim to be, how much recycling I do or tweeting trash against the NRA, I am simply an American woman who loves driving a big-ass truck while wearing lipstick.

Crossing Borders

During a morning walk in suburban Florida this week, I passed this pile of discarded plastic flamingos on a lawn that looked cared for but not really used, and I couldn’t help but think about the American dream as we approach the inauguration of the next president. America is going through some funky, disturbing times. There is a sense of mourning among many, and yet, also around the corner from my rented house here in Cape Coral, Florida, a Trump/Pence sign, so not everyone is mourning. Also on my walk, a young guy greeting me “good morning” while holding a rifle in each hand, manatee-shaped mailboxes, and upright pink plastic flamingos adorning lawns filled with plastic candy canes and inflatable polar bears.

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Honestly, as I hang out in Florida, I’m in shock that I’m still in the same country that is also home to Portland, Oregon, and to Chicago and to Shamrock, Texas (had a layover there back in 1998), and to New York City, my backyard for the last 13 years. The fact we’re still a union at all answering to the same red, white and blue flag stuns me, and we should consider this progress even though there’s so much vitriol and bipolarity and -isms right now. We are 50 *very* different states. I celebrated my first birthday in Texas; I grew up in upstate New York; I lived in Seattle, then moved to Washington, D.C. (not a state, I know). I got married in Vermont. I have driven the width of the Contiguous 48 three times. I have visited 30-plus of America’s diverse states—haven’t yet visited Alaska or Hawaii—and each state functions as their own little universe. I lived in New Hampshire for six months about 20 years ago. New Hampshire, despite a shared geography with Vermont, has a completely different mindset from the Green Mountain State; it’s like comparing New Mexico with Arizona, or North Carolina to South Carolina, two states that still cannot agree on the proper way to serve barbecue. Despite shared borders, these are not apple-to-apple comparisons by any stretch. Why is that? Why do things change so much when you cross borders drawn by dead white guys?

It’s easy to happily function inside your bubble, mingle among like-minded people, never go beyond your borders, but I like going to other people’s bubbles, even if we disagree on who should lead America or the Second Amendment or the nutritional value of almond milk. America is just that, a string of bubbles, and communities feel increasingly less inclined to Venn-diagram with one another. Someone looked surprised when I mentioned I wasn’t going to unfriend Trump voters. I even had brunch a few weeks ago with a staunch Republican, who is a dear friend of mine. Our bubbles overlapped over eggs and Bellinis.

I’ve been fascinated by regionalism and differences long before Trump shocked millions of us by winning the electoral vote. To answer my own query, I started reading Lewis and Clark’s journal entries earlier this year, trying to picture what America looked like before being claimed, parceled and mapped out, before Texas was briefly its own Republic, before Abraham Lincoln had to fight to keep the country from ripping itself apart, before Los Angeles turned into Tinsel Town, before Wal-Mart took over the landscape, before “coastal elitism” became a term. Lewis spends several—and I do mean several—pages lamenting about the morning fog slowing things down, perhaps not thinking that two centuries later, a 40-something suburban mom who hates America’s ubiquitous malls and themed parks would be scanning his words for clues. Entries are spelled out phonetically, so it’s not smooth, intuitive reading; his meditations about what America used to be require stepping away from the puzzle pieces to see the bigger picture. And I’m still not sure on the answers, on when all these political, social and cultural tectonic shifts began, or where they’re going, and maybe these changes are harder to gauge because these movements are still moving.

Had America not been so goddamn big, had Sacagawea said to Lewis and Clark: “Find your own way! Jean Baptiste needs his nap!” or had Napoleon not needed to sell off “Louisiana,” which constitutes most of middle America, to fund his warmongering, what would America look like now? Who would be assuming power in four weeks? Where would the red and blue states be? Is there a singular American culture anymore or are there many American cultures? Those who drink their coffee with soy-free almond milk versus those who prefer whole milk from cows that grazed on pesticide-treated grass, and everyone else in between? Who is America today?

These “what if’s” are folly, as all “what if’s” are. Regionalisms will always prevail, no matter how much the Internet attempts to globalize us. As I write this, I am playing George Michael’s 1990 album “Listen Without Prejudice Vol. 1,” a thoughtful, moody album about working out our differences, finding some common ground, and breaking free from the shoulds, coulds, and woulds. I keep replaying “Cowboys and Angels” a wispy, jazzy tune that feels like clouds floating by—perfect for a lazy day in Gulf Coast Florida. The day after tomorrow, I will be in a car with my husband and tween, driving about 800-plus miles back north, dreading the Northeast’s go-go-go attitude, its cold and darkness, missing clouds and sunshine and plastic flamingos and swimming pools surrounded by chintzy Christmas decor. All these things are closer than I realize, they appear not so far when I look at a map, yet when I am back in suburban New York City in just a few days, these things might as well be on the moon. We will cross seven states to return to New Jersey, a state that I thought would only be a pit stop, that after 13 years of keeping a residence there, still doesn’t feel like home. And as I pass through each state, I’ll be wondering who America is becoming, where are we going? And will we all get there together?

My Quixotic Search for Small

Maybe it’s because I live in the shadow of the Empire State Building or that I’ve been in a car accident during rush-hour commuter traffic on the George Washington Bridge or that a homeless guy in the West 4th subway station peed on my foot (I was wearing flip-flops, a no-no in New York), but lately my travel interests have shifted to anything that feels smaller, more green, less crowded, and reflective of the past because my day-to-day can be too big, too gray, too busy and sometimes too 21st century.

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(American Gothic by Grant Wood, 1930)

It’s a tall order. Small, green, uncrowded and old are hard to come by in this sprawling, metropolitan, monochromatic area of millions where too many people dress in black year-round. History lives on every block, but New Yorkers themselves don’t seem to have an awareness of these places. Ask strangers passing through the subway where George Washington threw a party to bid farewell to his officers at the end of the Revolutionary War and you’ll likely get a quizzical look (it’s the Fraunces Tavern, a great place for charcuterie and live Irish music). Washington’s name is all over the Big Apple, but 21st century New York City doesn’t seem to remember its 18th century self after so many face lifts. The Fraunces Tavern down in the Financial District near Battery Park is a great example of old, but it can get crowded. Heading north of the tavern to Chelsea, the High Line is a great example of something green, but it’s always crowded. Continuing north, I suppose Central Park is somewhat old and usually green but it’s way too crowded. Long story short, occasional bouts of green and vintage can be found across the city, but nothing uncrowded, even if I were to inch my way up to the Bronx and into Westchester where there’s a lot of green.

So where in America can a gal stretch her legs and quiet her mind?

Plenty of places, but not many that I find super-inspiring (with exceptions of our national parks; I’m talking about unprotected land). I’ve driven coast-to-coast three times so far and have become increasingly turned off by what I see, the “golden arches,” rampant obesity, billboards for Walmart, malls, malls and more malls. Yes, there are many Americas in America, but the one I just described is the one that’s most obvious from the highway, and it makes me wonder what the United States looked like before corporate consumerism swallowed us whole. I’m looking for something very particular, old like a random 19th century farmhouse on a slow road, not manicured Colonial Williamsburg-old. Or something not golf course-green, but an uninterrupted forest green like Vermont (it’s in the state’s name after all), where billboards are illegal and the farm-to-fork movement isn’t a movement but daily practice.

Ok, so farmhouses are often smallish—at least smallish compared with McMansions—uncrowded and green and old, right, so maybe I’m on to something there? I can already hear my 11-year-old’s eyes rolling with this one (though she does like my idea of AirStreaming through Canada into Alaska and picnicking on salami and salmon along the way). I do like farmhouses, so maybe I drive around America checking out old farmhouses and taking pictures of them the way photographer Robert Dawson and his son Walker traveled America photographing public libraries. Nearby in Brooklyn is a Dutch saltbox farmhouse built in 1652 that has successfully weathered urbanization as well as generations of hippies, hipsters and the craft beer revival. It’s called the Wyckoff House and it looks like a fun day trip, but it’s also spittin’ distance from a BJ’s, so not very green, and definitely not uncrowded. I could meander up the Hudson into the Catskills, back into Vermont’s verdant valleys, around New England and find some old farmhouses in sparsely populated towns there. Maybe that will quell this urge. We’ll see.

My quest for smaller, quieter space is undoubtedly a Quixotic one, but I’m convinced these places, these old farmhouses and less developed nooks in America exist, though they are getting harder to find because so many are being encroached by suburbanization. (Suburbanization is simultaneously ruining cities; stand in the middle of New York’s Union Square as I recently did and every store front can be found everywhere else: Children’s Place, TGIF Friday’s, Barnes and Noble, Staples. Yes, Union Square has a bustling farmers’ market but those veggie stands are besieged by Corporate America.) Lately, I’ve been wondering what Washington would think if he could see America now? Would he applaud our entrepreneurship or mourn the loss of land and landscape?

My need for these quieter, unvarnished slices of Americana is in direct reaction to the suburban affluence that surrounds me. As I write this, construction workers are hammering away at a couple McMansions; two are going up right now on the next street over. I jog or bike by them daily. Mid-century homes are getting bulldozed left and right while my husband and I work to renovate our quirky 1926 Colonial. We’re getting backyard chickens this spring, and, yes, while Brooklyn hipsters are also doing this, I know my interest in raising hens is to create at home what I am losing in my community, something small and sweet, hopefully green, not too busy, with some age to it—before someone knocks it down.

Land of Enchantment

“You’re going to love this,” our host, Richard, told us as we wheeled our luggage into the casita. “Taos is really a magical place.”

That word——magical——was uttered several times by strangers during our week in Taos, New Mexico. The artist I interviewed said it. The gallery attendant said it. The lady next to me on the ski shuttle said it. The state adopted the motto “Land of Enchantment” before World War II, and continues to live up to this creed daily, and remains fiercely protective of its natural resources and cultural traditions. The Sangre de Cristo Mountains (Blood of Christ) comprise the southern end of the Rocky Mountain Range, and circle the tiny town of Taos, home to the historic and beautiful Taos Pueblo, about 5,700 people——many of them artists, skiers or both——80 art galleries, several mules and horses, and lots of chickens. Taos requires wheels, which is one of the best ways to experience the town as well as all of New Mexico’s enchanting mountains and valleys, for the landscape is the kind found in art galleries. That’s why there are so many hot air balloons dotting the sky; you want to breathe in New Mexico and experience it slowly.

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I first encountered New Mexico’s infinite and astounding vistas sixteen years ago this week, when I spent nine days driving from Rochester, New York, to Seattle, Washington, and made stops to visit friends and sights along the way. (This would become the first of three cross-country road trips, so far, for me.) I remember cruising in my 1994 Geo Metro with my cat Nigel, years before iPhones and iPods, relying on local radio stations to keep me entertained as we inched along Interstate 40, which stretches from North Carolina to Southern California. I had chosen a southern route for my drive, since it was the thick of winter, and I had wanted to see the Grand Canyon. But New Mexico made me want to stop the car and take a look around.

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Up until crossing over the state border, I didn’t really know anything about New Mexico other than it was there between Texas and Arizona, and that it was one of the “Four Corner” states where you could straddle four state borders at once. During that 1998 trek, I drove through New Mexico on to the Grand Canyon making a promise to return to the red mountains. Fifteen years after that drive, I read a Travel & Leisure article about spending Christmas in Taos, and plans started to take shape. We arrived in Taos on December 22, and spent the week at Casa Gallina, a place that rivals five-star hotels and is managed by Richard Spera.

Taos, New Mexico, has been an artists’ colony for over a century, but in 2013, the town and its artists continue to reel from the 2008 economic downturn; when money gets tight, art is often the first luxury to go. While some artists have begun to reemerge and reopen galleries along Kit Carson Road, they still struggle, and many galleries remain closed. Yet the landscape always inspires painting and sketching no matter what is happening to bank accounts. Artists cull stones from the earth to piece rock into jewelry or whip earth into clay to mold pottery. Old soda cans are twisted into flowers. Glass and color are heated into portraits and ornaments. Locally-made artwork adorns Taos municipal buildings, the hospital, hotels, coffee shops, restaurants and gas stations. A gallery attendant told me many artists in the area live on $10,000-$20,000 a year, yet this undercurrent of rural poverty is haloed by glorious paintings, sculptures, pottery and jewelry. Artists in Taos create to just create, and if income comes from that, well, all the better.

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Creativity was everywhere in Taos Christmas week, including in the two evergreen trees that stood like sentinels in front of St. Jerome Chapel, the 19th century church at Taos Pueblo. Taos is a poor, yet resourceful town, and the two evergreens were decorated with compact discs sprinkled with glitter and hung with string. They caught and reflected New Mexico’s abundant sunshine beautifully. Inside St. Jerome Chapel, the flowers were plastic and the small aisle was decorated with the kind of tinseled garland you can find at any convenience store. After all the opulent cathedrals I have visited across Europe, this small, humble church in the mountains resonated the most with me. Christmas is when Taos mixes Christian with Native American traditions, and the best time and place to experience this is on Christmas Eve at Taos Pueblo when the priest and congregation of St. Jerome hold a procession around the Pueblo while residents guard bonfires that were easily three stories high. Luminarias line Pueblo rooftops and walkways throughout the reservation and a few miles away throughout downtown. I feel that nothing I write can do justice to what I saw in Taos on Christmas Eve. I choked up and just watched the silhouettes of men, women and children move around the light being thrown from the many luminarias and bonfires, the edges of those high yellow flames reaching for the countless stars above us, as if sending a reminder to the heavens that we were still here, below, celebrating how lucky we all are to enjoy this planet and all its enchanting beauty.

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Trouble Sitting Still

Spanish royals funded Christopher Columbus’s travel. The Dutch East India Company paid for Henry Hudson to cross the Atlantic and tour North America. Centuries later, no matter who you are or where you’re going, getting from here to there still costs a lot of money, even when you navigate Internet deals or work corporate membership points systems. It’s been an expensive year here at Casa Martinez-Woznicki; a milestone birthday trip to Japan, my husband traveling to a few national conferences this year to promote his debut science fiction novel The Daedalus Incident, some quiet time in the Adirondacks and Vermont, our annual summer schlepping around California, which we always love, and this Thursday, we return to Montreal, because, well, I’m chasing art exhibits again, like I did when we jumped the Atlantic to see David Hockney’s art in Paris.

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(Here I am heading to London on Christmas Day, 2009; again…just can’t sit still.)

This time, I’m chasing Dale Chihuly’s Utterly Breathtaking exhibit hosted by America’s most trusted trading partner, Canada. I had wanted to return to Seattle to see Chihuly’s Garden and Glass pieces and catch up with some friends. Then, I learned a similar exhibit in Montreal was ending next month, and click, click, click, tickets were purchased, hotel reservations were made, and everyone is now figuring out what they want to put on their poutine next weekend. We’re excited. What would make it even more exciting is if someone else would pay for it, but I’m no Columbus or Hudson, and this blog doesn’t get the kind of traffic that excites tour companies (not yet anyway…gotta think positively!), so our jaunts come from our own pockets. All of them. Visiting Montreal twice in one year, you ask? Sure, it’s expensive, unnecessary, not entirely prudent. I completely agree with you. Mike and I have already designated 2014 as “The Year of Austerity” which will involve some discipline when it comes to making travel plans. But like any diet, you already scheme of ways to cheat.

I don’t seek to be a nomad, ditch the shackles of modern Western life and travel the world. There are some places that don’t interest me, and I like having our nest and enjoy the freedom to visit other nests. But austerity and exploration don’t go hand-in-hand. I was recently interviewed by Anna Pratt from The Society for Professional Journalists for its freelancers’ blog The Independent Journalist, where I state that travel isn’t about distance but about having a sense of exploration. Sounds inspiring, right? What I didn’t say is that the costs of short trips add up quickly, and sometimes taking one long, far trip can be easier to track. Montreal is an example of one of these three-day weekend excursions that are intended to cost less than they actually do.

How does one stick to a travel diet (which is really a money diet) while writing about travel and occasionally giving in to that urge to explore? I don’t have the patience for outsmarting online airline sales or digging for bargains or working reward programs to score the best deal. Plus I’m not good at it. I like going, doing, and writing. What seems to help is reliving my own trips for CheapOAir; this week I wrote about eating in Tokyo, cafe culture in Toronto, and recently blogged about leaf-peeping in Vermont. Upcoming writing assignments for CheapOAir include spas, haunted Savannah, and more coverage of my favorite West Coast cities, Los Angeles and Vancouver.

Reliving vicariously through myself will get old and I hate sitting still. We’d have a beautiful new kitchen by now if I could sit still. Yesterday, we bought a Honda CRV after our beat up 2002 Honda Accord decided it was time to leave this world (car payments are another reason for a needed “Year of Austerity”). So maybe there’s more road tripping in our CRV and less time in the clouds in 2014. Plane or car, tickets or gas will come from our wallets, so I better get cracking on the work that pays the bills.